ecology by analyzing data collected from a series of experiments in
improvisation. Conducted in a number of locations in Europe and Asia, these
experiments examine the usefulness of improvisation performance practices to
notions of “ecology” and common understandings of humans’ relationships to
our environment. Using “ecology” to describe an investigation of
interrelationship as well as a commitment to act with an awareness of one’s
actions in the social, mental and natural spheres discussed by Felix Guattari
(2000), I outline ways contemporary improvisation practices can facilitate this
investigation.
To do this I draw on my own experience as a dancer at the Performing Arts
Research and Training Studios (PARTS) in Brussels from 2004-2006, and as codirector
of the TWIG Project in China in 2006. Using the experiences of
improvising, learning dance, seeing dance, performing dance, creating scores for
dance, and teaching movement improvisation, I argue that ecological practice is
defined by its ability to instill a sense of “response ability” and personal agency
in its practitioners.
As a way of observing and incorporating new knowledge, improvisation
functions herein both as a research practice and as the object of study. By
improvising and documenting my experiences using a phenomenological lens
derived from Merleau-Ponty’s work, I reflect on how practices of awareness in
dancing can constitute new ways of knowing. I discuss how improvising can
assist awareness of the body’s relationship with the environment at a number of
levels including sensory, spatial, temporal, conceptual, social and political. I
also investigate the notion of paradox as a theme throughout the thesis and
present its usefulness as a way of producing and reflecting upon a practice of
bodily research.
The term “twig dances” represents an expanded understanding of what I mean
by “improvising”, and points to my use of improvisation as a research process.
As an action taken “to understand or realize something”, a twig dance is any of a
number movement practices which take as their focus an active investigation
into relationships between people and the non-human world.
Date of Award | 2010 |
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Original language | English |
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Awarding Institution | |
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Sponsors | The Jack Kent Cooke Foundation; Vitamin Creative Space; Nanling Eco-Tourism, Ltd. |
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- Ecology
- Intercultural performance
- Movement
- Nature
- Embodied imagination
- Embodied identification
- Transversality
- Perception
- Performance practice
- Improvisation
- Dance
- Phenomenology
- Empathy
- Environment
- Site
- Awareness
- Relationship
- Intersubjectivity
- Paradox
- Corporeal phenomenology
- Responsibility
Twig Dances: Improvisation Performance as Ecological Practice
Sarco-Thomas, M. (Author). 2010
Student thesis: PhD