This thesis questions the coherence of modes of fabrication that introduce materials
to a living context, in forms that resist the processes of biological change. In doing
so this project explores the ideologies embedded in fabrication that have led to this
current position. The implications of an accumulation of materials being recognized
as an autonomous object, and treated as if they are detached from their
environment are also expanded. The sculptural methodology used to undertake this
investigation has used the feature of materiality and it’s behaviours, of both human
fabrication and the living environment, as a means to explore processes outside the
limitations of specialist human categories of knowledge. The vocabularies of
dematerialization, expansion and relational exchange in the critique of sculpture,
have provided a starting point to articulate what is implied or “mapped out but not
socially recognized”1 by the structure of specialist categories. The practice-based
work that has driven this project, documents an extension of sculptural fabrication,
which incorporates the literal processes of growth and erosion, illustrating a radical
inclusivity of all living phenomena. Engaging with fabrication through this plural and
complex methodology allows for a new valuing that recognizes accumulation as a
result of employing reductive specialist categories and as inherently problematic for
complex living systems. This identifies coherent fabrication as that which merges its
engagement with processes of biological change and utility for humans.
1 Samuel Wagstaff. Jr., ‘Talking to Tony Smith’, Artforum 4, no 4, New York, December 1966 p.19,
reproduced in Kastner, J. and Wallis, B. (1998) Land and Environmental Art London, New York:
Phaidon p 27.
Date of Award | 2014 |
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Original language | English |
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Awarding Institution | |
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Supervisor | Malcolm Miles (Director of Studies (First Supervisor)), Deborah Robinson (Other Supervisor) & Anya Lewin (Other Supervisor) |
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- Anthropocentric Accumulation
- Biocentric Sculpture
- Post Oil Fabrication
- Dematerialisation
- Deep Ecology
- Coherent Fabrication
An Investigation of the Coherence of Instrumental Accumulation, Using a Sculptural Methodology
Gilmour, N. A. (Author). 2014
Student thesis: PhD