This dissertation follows an interdisciplinary approach that weaves practice and theory in the disciplines of visual communication, semiotics, cultural studies, linguistics, and new media art.
The research methodology is practice-based located within a historical and contemporary context that allows for artistic experimentation and new knowledge to be generated through reflected creative practice
This research proposes a context within which society can develop a transcultural means of communication with the objective of gaining completely unambiguous forms of understanding. This research explores the possibility of an open source scaffold for pictorial language that fosters self-enhancing diversity of production models, communication paths, and interactive communities.
The dissertation explores research strategies and visual practice in relationship to a proposed global use of a common system of visual semantic decoding that would allow for visual synthesis by individuals from diverse cultural backgrounds.
It is proposed that a shared collective knowledge of signs, symbols, and pictographs, supported by the advancement of future communication and information systems, can lead to a visual communication system that will be universally accepted.
There is a historic, on-going and collective consensus on the need for a universal language in the near-future posthuman condition. In answer to this need, this dissertation contextualises and goes on to explore a realised case study of a practice-based solution for a universal pictorial communication system. The system may at times seem ambitious and abstract, however, it aims to include all cultures of the world, seeking to establish a direction that identifies and locates cultural similarities over cultural difference.
This practice-based enquiry proposes a direction that should maintain coherence, logic, and veracity in order to develop a pictographic communication system that is a valid representation of the human experience in a posthuman condition.
Date of Award | 2016 |
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Original language | English |
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Awarding Institution | |
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Supervisor | Roy Ascott (Other Supervisor) |
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- Writing systems
- Communication theory
- Visual communication
- Pictographs
- Semiotic theories
- Cultural studies
- Transculturalism
- Multiculturalism
- Transhuman
- Transhumanism
- Posthuman
- Posthumanism
- Singularity
- Artificial intelligence
- Universal language
- Super intelligence
- New Media
- Linguistics
A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition
Nawar, H. (Author). 2016
Student thesis: PhD