TY - JOUR
T1 - Variational Quantum Harmonizer
T2 - 2nd International Symposium on Quantum Computing and Musical Creativity (ISQCMC Berlin)
AU - Itaboraí, Paulo Vitor
AU - Schwägerl, Tim
AU - Yáñez, María Aguado
AU - Crippa, Arianna
AU - Jansen, Karl
AU - Miranda, Eduardo Reck
AU - Thomas, Peter
N1 - Manuscript Accepted to the 2nd International Symposium on Quantum Computing and Musical Creativity (ISQCMC Berlin). Link: https://indico.desy.de/event/38609/page/4475-information
PY - 2023/10/5
Y1 - 2023/10/5
N2 - This work investigates a case study of using physical-based sonification of Quadratic Unconstrained Binary Optimization (QUBO) problems, optimized by the Variational Quantum Eigensolver (VQE) algorithm. The VQE approximates the solution of the problem by using an iterative loop between the quantum computer and a classical optimization routine. This work explores the intermediary statevectors found in each VQE iteration as the means of sonifying the optimization process itself. The implementation was realised in the form of a musical interface prototype named Variational Quantum Harmonizer (VQH), providing potential design strategies for musical applications, focusing on chords, chord progressions, and arpeggios. The VQH can be used both to enhance data visualization or to create artistic pieces. The methodology is also relevant in terms of how an artist would gain intuition towards achieving a desired musical sound by carefully designing QUBO cost functions. Flexible mapping strategies could supply a broad portfolio of sounds for QUBO and quantum-inspired musical compositions, as demonstrated in a case study composition, "Dependent Origination" by Peter Thomas and Paulo Itaborai.
AB - This work investigates a case study of using physical-based sonification of Quadratic Unconstrained Binary Optimization (QUBO) problems, optimized by the Variational Quantum Eigensolver (VQE) algorithm. The VQE approximates the solution of the problem by using an iterative loop between the quantum computer and a classical optimization routine. This work explores the intermediary statevectors found in each VQE iteration as the means of sonifying the optimization process itself. The implementation was realised in the form of a musical interface prototype named Variational Quantum Harmonizer (VQH), providing potential design strategies for musical applications, focusing on chords, chord progressions, and arpeggios. The VQH can be used both to enhance data visualization or to create artistic pieces. The methodology is also relevant in terms of how an artist would gain intuition towards achieving a desired musical sound by carefully designing QUBO cost functions. Flexible mapping strategies could supply a broad portfolio of sounds for QUBO and quantum-inspired musical compositions, as demonstrated in a case study composition, "Dependent Origination" by Peter Thomas and Paulo Itaborai.
KW - cs.ET
KW - cs.HC
KW - cs.SD
KW - eess.AS
KW - quant-ph
UR - https://pearl.plymouth.ac.uk/context/ada-research/article/1619/viewcontent/itaborai_paulo_final_updated.pdf
U2 - 10.5281/zenodo.10206731
DO - 10.5281/zenodo.10206731
M3 - Conference proceedings published in a journal
JO - Zenodo
JF - Zenodo
Y2 - 5 October 2023
ER -