TY - JOUR
T1 - The xeremies of the Banda Municipal de Barcelona: from the symphonic turn of the cobla to the invention of the barítona
AU - Bonet, Nuria
AU - Fontelles-Ramonet, Albert
PY - 2025/10/10
Y1 - 2025/10/10
N2 - During the early twentieth century, Catalonia experienced a period of great cultural and musical development through the Noucentisme movement, which aimed to elevate its national culture to a symbol of high art. The xeremies (shawms) of the cobla ensemble, which played the sardana genre, were integrated into symphonic and chamber repertoire. This required the technical improvement of the tible (treble) and tenora (tenor) xeremies, but also encouraged the invention of new instruments in the shawm family. The barítona (baritone shawm) was premiered in 1930 by the Banda Municipal de Barcelona and represents a milestone in Catalan music in the tumultuous period before the Spanish Civil War.
AB - During the early twentieth century, Catalonia experienced a period of great cultural and musical development through the Noucentisme movement, which aimed to elevate its national culture to a symbol of high art. The xeremies (shawms) of the cobla ensemble, which played the sardana genre, were integrated into symphonic and chamber repertoire. This required the technical improvement of the tible (treble) and tenora (tenor) xeremies, but also encouraged the invention of new instruments in the shawm family. The barítona (baritone shawm) was premiered in 1930 by the Banda Municipal de Barcelona and represents a milestone in Catalan music in the tumultuous period before the Spanish Civil War.
UR - https://pearl.plymouth.ac.uk/ada-research/667/
U2 - 10.1017/rma.2025.10051
DO - 10.1017/rma.2025.10051
M3 - Article
SN - 0269-0403
SP - 1
EP - 26
JO - Journal of the Royal Musical Association
JF - Journal of the Royal Musical Association
ER -