Abstract
During the early twentieth century, Catalonia experienced a period of great cultural and musical development through the Noucentisme movement, which aimed to elevate its national culture to a symbol of high art. The xeremies (shawms) of the cobla ensemble, which played the sardana genre, were integrated into symphonic and chamber repertoire. This required the technical improvement of the tible (treble) and tenora (tenor) xeremies, but also encouraged the invention of new instruments in the shawm family. The barítona (baritone shawm) was premiered in 1930 by the Banda Municipal de Barcelona and represents a milestone in Catalan music in the tumultuous period before the Spanish Civil War.
| Original language | English |
|---|---|
| Pages (from-to) | 1-26 |
| Number of pages | 26 |
| Journal | Journal of the Royal Musical Association |
| DOIs | |
| Publication status | Published - 10 Oct 2025 |
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Dive into the research topics of 'The xeremies of the Banda Municipal de Barcelona: from the symphonic turn of the cobla to the invention of the barítona'. Together they form a unique fingerprint.Research output
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La barítona, del silenci a l’actualitat
Bonet, N., Fontelles-Ramonet, A. & Nonell Juncosa, J., 23 Apr 2023, Sonograma, 58.Research output: Contribution to specialist publication › Article
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