Abstract
How do the affective attributes that are specific to intermedial, interactive and located mediums of digitally-enabled performance materialise embodied, sensual and emotional involvements and reconfigure reality through new forms of intimacy, empathy and immediacy? This question is considered through a posthumanist account of performativity to consider alternative ways of conceiving of reality, ‘humanness’ and how space and time of performance are constituted, particularly through the bodily productions of and relationships between performer, audience, environment and technology in the transmedia performance for smartphone Nobody’s Ocean (2016).
Original language | English |
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Pages (from-to) | 364-377 |
Number of pages | 14 |
Journal | Research in Drama Education |
Volume | 25 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2 Jul 2020 |
Externally published | Yes |
ASJC Scopus subject areas
- Education
- Visual Arts and Performing Arts
- Literature and Literary Theory
Keywords
- intermedial performance
- Intramedial performance
- posthumanist performativity
- transmedial performance