Abstract
There is no daylight, no moon, nor starlight. The shutters are down in the always night… . this film is something that happened to me many years ago, but I can’t remember the details.
"29. A haunting essay with video and still images by Kayla Parker, a faculty member in the School of Art and Media at the University of Plymouth in the UK. Parker’s work has been shown on the BBC, ITV, Channel 4, and worldwide at numerous film festivals." (Nick Rhombes)
This is my contribution to Professor Nick Rombes’ experimental film project, which marks the 10th anniversary of the release on 27 October 2010 of Darren Aronofsky’s Requiem for a Dream. Nick said that REQUIEM // 102 “aims to expand and push the boundaries of writing and thinking about film in the digital era [and] examines/explores/riffs on/detours from/responds to/aggravates/ supplements/ one frame from each minute of the film. 102 minutes = 102 frames.” He sent me this jpg, taken from minute #29.
"29. A haunting essay with video and still images by Kayla Parker, a faculty member in the School of Art and Media at the University of Plymouth in the UK. Parker’s work has been shown on the BBC, ITV, Channel 4, and worldwide at numerous film festivals." (Nick Rhombes)
This is my contribution to Professor Nick Rombes’ experimental film project, which marks the 10th anniversary of the release on 27 October 2010 of Darren Aronofsky’s Requiem for a Dream. Nick said that REQUIEM // 102 “aims to expand and push the boundaries of writing and thinking about film in the digital era [and] examines/explores/riffs on/detours from/responds to/aggravates/ supplements/ one frame from each minute of the film. 102 minutes = 102 frames.” He sent me this jpg, taken from minute #29.
| Original language | English |
|---|---|
| Publication status | Published - 16 Dec 2010 |
Keywords
- Aronofsky
- creative practice
- Darren Aronofsky
- film
- practice-as-research
- Requiem // 102
- REQUIEM // 102
- Requiem for a Dream