Abstract
Micro and macroscopic animation of glass fragments found along the strandline of an urban beach. This practice-as-research mediates Luce Irigaray’s writing about the feminine through close examination and play with glass fragments scavenged from the sand, pebbles, bladder wrack, and briny debris on Stonehouse Pool beach, Plymouth.
Audio recording of the sea from the breakwater in Plymouth Sound, by Stuart Moore.
Presentations and exhibitions of the film Glass include:
Finding Place exhibition, Plymouth (3 > 26 February 2010); University of the West of England's Radical British Screens symposium (3 September 2010); Plymouth University Festival of Research: Materiality and Technology film programme presented by the Centre for Media Art and Design Research (MADr), Jill Craigie Cinema, Plymouth University (14 March 2011); Water: Image conference, Liquidity film programme, Jill Craigie Cinema, Plymouth University (6 July 2012); Last Friday Shorts a monthly screening of experimental films, curated by Michaela Freeman, TAP, Old Water Works Building, North Road, Southend. Supported by Suffolk and Essex Water, Arts Council of England and MUTE (24 February 2012); Image Movement Story a one day symposium focusing on practice as research and practice based research to explore inter-disciplinary approaches to the connection between the still and moving image, and to examine the relationship between artefact and audience; University of Roehampton, London. Making Glass video essay presented, with the film Glass. Symposium hosted by PaRG, the Practice as Research Group, Roehampton University and supported by MeCCSA Practice Network, the Journal of Media Practice and the Centre for Research in Film and Audiovisual Cultures (14 June 2014).
Audio recording of the sea from the breakwater in Plymouth Sound, by Stuart Moore.
Presentations and exhibitions of the film Glass include:
Finding Place exhibition, Plymouth (3 > 26 February 2010); University of the West of England's Radical British Screens symposium (3 September 2010); Plymouth University Festival of Research: Materiality and Technology film programme presented by the Centre for Media Art and Design Research (MADr), Jill Craigie Cinema, Plymouth University (14 March 2011); Water: Image conference, Liquidity film programme, Jill Craigie Cinema, Plymouth University (6 July 2012); Last Friday Shorts a monthly screening of experimental films, curated by Michaela Freeman, TAP, Old Water Works Building, North Road, Southend. Supported by Suffolk and Essex Water, Arts Council of England and MUTE (24 February 2012); Image Movement Story a one day symposium focusing on practice as research and practice based research to explore inter-disciplinary approaches to the connection between the still and moving image, and to examine the relationship between artefact and audience; University of Roehampton, London. Making Glass video essay presented, with the film Glass. Symposium hosted by PaRG, the Practice as Research Group, Roehampton University and supported by MeCCSA Practice Network, the Journal of Media Practice and the Centre for Research in Film and Audiovisual Cultures (14 June 2014).
Original language | English |
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Publisher | Sundog Media |
Publication status | Published - 3 Feb 2010 |
Keywords
- animation
- artistic research
- artist's moving image
- creative practice
- écriture féminine
- materiality
- subjectivity