Abstract
‘Geographical Aesthetics’ is ambitious. It seeks to marshal twelve papers on disparate subjects and with contrasting methodological and analytical approaches, advocate a new aesthetics by articulating key provisional theoretical principles, possible projects and trajectories, while re-describing geography as an always at least partially aesthetic discipline. Where its editors Harriet Hawkins and Elizabeth Straughan’s task is trickiest is where they feel out continuities across longstanding controversies – “ethereal and precious” aesthetics as tending to the apolitical (it is
hard to fit, say, Guillermo Gómez-Peña, Erika Fischer-Lichte and Hans-Thies Lehmann into this description), polarities of sublime and picturesque, aspirations for relational and synthesized practices of togetherness that tend towards “a sense of comfort” – and then seek to resolve or accommodate them with the collected papers and their general design.
| Original language | English |
|---|---|
| Pages (from-to) | e33-e36 |
| Number of pages | 0 |
| Journal | Geographical Review |
| Volume | 107 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 1 Jul 2017 |