TY - JOUR
T1 - Comparative Designs Reveal Preferences for Human-Generated Rather Than AI-Generated art
AU - Jacobs, Oliver
AU - Pazhoohi, Farid
AU - Mullen, Grayson
AU - Kingstone, Alan
N1 - Publisher Copyright:
© The Author(s) 2025. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).
PY - 2025/7/28
Y1 - 2025/7/28
N2 - The evaluation of AI-generated art has seen increased interest after widespread access to AI-generated art (e.g., DALL-E or Stable Diffusion). While previous studies have suggested that there are preferences for human-generated art, the research remains far from robust with numerous contradictory findings. One potential reason for this discrepancy is differing experimental designs employing comparative or non-comparative methods. To shed light on this problem, two experiments were conducted: one using a Likert scale (N = 250) and another using a 2-alternative forced choice design (N = 102). Our conflicting results between the two designs suggest that traditional Likert-based art appraisals in non-comparative formats may not be sensitive enough to reliably detect preferences that a forced-choice task can reveal. While AI-generated art continues to become more mainstream, people tend to prefer human art in terms of their liking and valuation appraisals when measured in comparative designs that better approximate real-world interaction with art.
AB - The evaluation of AI-generated art has seen increased interest after widespread access to AI-generated art (e.g., DALL-E or Stable Diffusion). While previous studies have suggested that there are preferences for human-generated art, the research remains far from robust with numerous contradictory findings. One potential reason for this discrepancy is differing experimental designs employing comparative or non-comparative methods. To shed light on this problem, two experiments were conducted: one using a Likert scale (N = 250) and another using a 2-alternative forced choice design (N = 102). Our conflicting results between the two designs suggest that traditional Likert-based art appraisals in non-comparative formats may not be sensitive enough to reliably detect preferences that a forced-choice task can reveal. While AI-generated art continues to become more mainstream, people tend to prefer human art in terms of their liking and valuation appraisals when measured in comparative designs that better approximate real-world interaction with art.
KW - art perception
KW - artificial intelligence
KW - forced-choice design
UR - https://www.scopus.com/pages/publications/105012725377
UR - https://pearl.plymouth.ac.uk/psy-research/1175/
U2 - 10.1177/02762374251360129
DO - 10.1177/02762374251360129
M3 - Article
AN - SCOPUS:105012725377
SN - 0276-2374
JO - Empirical Studies of the Arts
JF - Empirical Studies of the Arts
M1 - 02762374251360129
ER -