Collaboration, relationships and fleeting opportunities: growing the future early childhood music education workforce

Karen Wickett*, Jane Parker

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

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Abstract

The aim of, Jane’s, Soundwaves Early Childhood Music lead, and Karen’s, Early Childhood Studies lecturer, inquiry is to encourage new insights into how multiple relationalities and learning play out, throughout Soundwaves, an early childhood music education (ECME) programme. We work with Barad’s diffractive methodology to shape our auto-ethnography. With pens, sparkly bits, ribbons, glue and paper, we map the Soundwaves narrative. Caring ethics, for the human and more-than-human, runs throughout our research practices. (Re)turning, the data, posthuman and critical new materialist theory, the Soundwaves narrative is (re)told. Concerns the neo-liberal narrative had played us, were replaced, when noticing the gap between our organisations offered reassuring insights. In this gap, resisting the neo-liberal narrative, is ‘fleetingness’, which welcomes experimentation and play to learning opportunities and our collaboration. These insights are useful to those who wish to maintain the visibility of ECME and resist creating instrumentalised learning experiences, whilst growing the ECME workforce.

Original languageEnglish
Pages (from-to)373-386
Number of pages14
JournalMusic Education Research
Volume26
Issue number3
DOIs
Publication statusPublished - 4 Jun 2024

ASJC Scopus subject areas

  • Education
  • Music

Keywords

  • arts and cultural organisation
  • collaboration
  • diffractive methodology
  • Early childhood music education
  • university

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