Abstract
Stuart Moore and Kayla Parker reflect on making their film, Father-land, on location in Nicosia.
The essay explores our experiences of displacement and home as 'Forces children’, the patriarchal baggage of fathers who served in the RAF and were posted around the world during the Cold War. The paper draws on our recent documentary film, Father-land, shot on location in and around the Nicosia UN Buffer Zone, which won the 2020 BAFTSS Practice Research Award for Essay/Experimental Film.
| Original language | English |
|---|---|
| Pages (from-to) | 0-0 |
| Number of pages | 0 |
| Journal | Viewfinder |
| Volume | 0 |
| Issue number | 0 |
| Early online date | 12 Nov 2020 |
| Publication status | Published - 12 Nov 2020 |