Abstract
The figure of a small white doll grows from a ball of modelling clay, is cut and sewn shut, and then buried and ‘reborn’, among a nest of white granulated sugar and the dark stain of slut’s wool – the fluffy dust that collects under furniture and along skirting boards. The film explores early childhood memories of secret play during early childhood: locked in a silent room for a rest after lunch, aged 5 years, the artist would sculpt tiny figures from the balls of Plasticine she had hidden in the dust under the piano.
Original language | English |
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Number of pages | 0 |
Journal | Critical Contemporary Culture Journal |
Volume | 0 |
Issue number | 4 |
Publication status | Published - 1 Apr 2015 |
Keywords
- animation
- artists' moving image
- body
- direct animation
- écriture féminine
- materiality
- practice research
- sewing
- slut's wool